craft, Doll, pullip, Uncategorized

This doll will have everything

More than a year ago, my friend Ebony sent me a LINE message from a Hobby-Off. It included a picture of a baggie doll.

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It was a “Alfred” TaeYang. TaeYang is Pullip’s boyfriend…her second boyfriend actually because Namu was her first and wasn’t popular. Namu is no more. Goodnight Namu.

Of course, the TaeYang Ebony mailed me about was naked, in a baggie, with some sort of glitter-gel caked in his wig for about 3,000¥

So, of course, I was all:

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I DOOOOOOOO!

And then he sat around until I realized who he needed to be…

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I’m a Bill Hader fan girl. Stefon, I love. In an alternate universe John Mulaney and I are a power couple so I feel like Bill’s part of the family.  The series Barry is bloody brilliant (but only NoHo Hank is really a viable doll). AND I appreciate that Bill Hader has been open about his issues with anxiety.

I’ve now spent a LOT of time googling him and studying his face…he’s hot.  This is the hottest photo of him. I just needed to share this image. Take. It. All. In.img_2547

So, as usually I removed TaeYangs face with rubbing alcohol and fine sandpaper.

This time, because TaeYang is smooth and nearly nose-less and Bill is NOT, I had to start carving. More nose, smile lines, and after this…and this feels weird to say, opening up one eye slightly larger than the other because Bill Hader has a slight muscle issue in one eye so when he’s not actively making a face one eyelid hangs slightly lower.

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And I began drawing in his face.

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I feel like a creeper who is way too familiar with Bill Hader’s eyebrows.

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I feel like a creeper a lot of the time, only partly because of the dolls. Recently Ebony and I split cheese sticks at a TGIFridays. Ebony and I both noticed how attractive our server was….but how I reacted was by telling Ebony “Her lips would look amazing on a doll. I couldn’t stop staring at them”  and Ebony was more human in noting “She’s very attractive”

We later told the server she was pretty and I refrained from saying YOUR FACE WOULD LOOK GREAT ON A DOLL.

So, Stefon’s face is now mostly finished….although I’ll be smoothing those lip colors a bit later.img_0150

This has brought us to the stage I’m now on, building a wig.

I’ve only made one yarn wig thus far. Smaller and more conceptual.

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TaeYang’s head is MUCH bigger than a Monster High doll so it’s slow going, but I knew I wouldn’t be able to find a perfect wig for Stefon.

Here is an in-process shot of it looking like the dude you liked 30 years ago and have just looked up on Facebook.

Trying on the wig midway to make sure I’m not crazy.  With styling and some razor trimming this should eventually work…

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And then will come the most absurd part of this process….

Tiny. Ed. Hardy. Shirt. for Stefon Zelesky. Yes, he has a last name.

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Until then, New York’s hottest club is Wesh. Nine-year-old Tokyo pimp Ichiaku Guru is back with an all-new hot spot that answers the question What?!? This place has everything: trance, stilts, throw-up music, an albino that looks like Susan Powter, Teddy Graham people…

 

 

 

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craft, Doll, pullip, Uncategorized

Flower Girl.

In late 2018 I picked up a damaged Pullip …as I do.

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Her eye-mech was destroyed, she had no wink bars, and she had half of her original face paint. I detailed the damage and fixing up here.

Then she sat in a box until last December.

Inspired by Instagram makeup, I decided to go for both over-the-top make-up and to try an asymetrical design. Here I am including her in some after-gig glamour shots after I’d returned home from my last restaurant gigs of the season.

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Here’s her final closeup before I rebodied her.

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I knit her a top ( Pullip Off-the-shoulder free knitting Sweater pattern by Megan Nordyke) and sewed her a skirt (no pattern used for the skirt) and repainted some Barbie shoes (not shown).

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This is why I went to Dollyteria for the wig lucky-bags…and scored!

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I love her. Just love her.

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A friend asked me if she”s supposed to be me. Not intentionally and my mom’s the one with green eyes.

 

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barbie, blythe, craft, Doll, pullip, sewing, Uncategorized

Work the book: First Coordinates

Here I am working my way through a doll-clothing book from cover to cover.

The book is はじめてのドール•コーディネイト•レシピ  (First doll coordinates how-to) by Dolly Dolly books. ISBN978-4-7661-1982-4 (1,500¥ new)

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The projects are: a dress, medium length shorts, pleated skirt,blouse, tank top (for knits),  bloomers, socks (for knits), tote bag,  and  tailored jacket.

 

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Included with the book are all the patterns  in five different sizes and which model doll they were specifically designed for:

  • 11cm doll (Poochi Blythe)
  • 20cm doll (Odeko and Nikki ), 22cm (Blythe)
  • 27cm (momoko doll)
  • 42cm (Unoa Quluts Doll)

there are also specific charts for various dolls indicating which size of the pattern works best for them.

The one below is for Dal (Groove). It shows that she’ll wear the the dress in size 20cm but will need a 2cm adjustment. The waist for the 22cm skirt will be a bit to large and so on…

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The other dolls with specific charts like this: Licca, JENNY, Unoa Quluts Light, Tiny Betsy McCall, DAL, nano Haruka, and MISAKI.

The books are full of step by step guides like this. This one is for tracing patterns to fabric. This book takes the odd step of tracing the outline of a photocopyof the pattern and then cutting away the seam-allowance from that photocopy and trace again.

I do not have the time or the desire to waste paper like that. I’m tracing the patterns onto clear plastic, like that used for folders, to make a reusable pattern. I’m sketching  in the seam allowance lines in thin chalk after tracing the pattern onto the fabric.

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Here is another example of how detailed the instructions are. This shows the type of closure used on the dress (there are how-to on making the loops) and then covers how to assemble a variation of the dress top that includes darting.
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Projects finished so far:

The dress:

In my first version I added a twice folded hem to give the skirt more volume. The stitching isn’t perfect so if I have a doll for this I’ll add trim at the waste to hide that stitch line.

My second version, with the spooky bats, is much cleaner and better assembled.

Shorts:

These I felt I nailed on my first try. The Preppy shorts were made first. Then I shortened the length, made in denim, and added yellow-stitched details.

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Skirt:

The detail notes were correct, the waist is a bit large for a DAL or Picconeemo. If I do this regularly for DAL I’ll draft my own waistband.

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Shirt:

For the love of GOD is this difficult. It’s also a project I made before. I went straight to this pattern when I first bought the book for my Agretsuko Blythe could have a shirt two summers ago.

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This time I’ve made it twice so far, each version getting cleaner. 7a8aafa2-bc6b-438f-b8c4-769be7637ba0

With this I’ve achieved a looser collar. I know how to remedy this (where to fold so the collar “button” flaps overlap correctly) but I rather like it as-is on the tiny-print fabric version.

Tank top with trim:

I gotta be me. So far I have NOT yet made the tiny socks and bloomers. I might just make them from the same fabric for a comfy rocker pj outfit. I did most of this by hand instead of machine sew.

pssssstt. Making tiny socks scares me.

Tote Bag:

I didn’t have matching thread but I made it anyways. When I have matching thread I’ll finish the handles but it looks CUTE.

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So what do I have left? Socks….Bloomers and the dreaded:

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craft, Doll, pullip, sewing, Uncategorized

Lucky Bag Inspiration: Classical Style

With the New Year came my first trip into Tokyo for Fukubukuro!

LUCKY BAGS!

The concept is simple: With the New Year stores put together items from the store into bags you can’t see into. The idea is that the contents of the bag are “worth” (priced individually) more than what you’ll pay for the bag.  Generally you’ll have an idea of what sort of items will be in the bag but not exactly WHICH items.

I’m not a huge fan BUT Dollyterria had USED DOLL WIG BAGS. So for 4,000 yen I knew I’d be getting 6 wigs of X size. I love the random game of “what do I have and how will that inform what I make next…”

 

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That’s 5 wigs, you say.

There’s another, but she’s already on a doll.

There’s more than just wigs, you say.

Of course I bought a naked doll in a baggie. I’m me.

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There’s a body! You say.

Of course. sometimes you need another body for the naked dolls at home. They demand sacrifices.

I love the wigs… but now I also had this lovely doll who I decided NOT to rewig or change her face on. I figured out who she was. Zuora, a Pullip from 2006.

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She looks like she knows how to have a great time. Alas, her outfit was missing in action.

I fixed up a damaged dress I had in my used stash. I repaired split seams and added black lace  and ribbon accents.

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I also took a cape I’d made previously (using a pattern from a book about sewing for dolls with felt but rendered in a suede.

Those buttons actually button and unbutton through tiny button holes. INSANE.

And I made it.

INSANE. So tiny.

I ordered a book with patterns I thought might suit her better. “Classical Style” by Dolly Dolly. I have many Dolly Dolly books about doll patterns. The felt book was a used find at a book-off. I scour used book stores for their Doll magazines (which include patterns) and the doll-specific sewing books. Not rare to find, which shows you how doll-focused some percentage of Japan is.

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I often just jump to whatever pattern I want to make and just do that. It can be frustrating because my sewing skill set is more HUMAN SIZED, interior decor, and hand detailing. Sewing doll clothing is a skill that takes practice. The seam allowance (space between the needle/sewing line and the edge of the fabric) is often 5mm or less. That means very little room for error and ….your sewing machine bobin hole wants to eat your fabric.

The more fabric you join together the bulkier an outfit is. This matters very little when you’re 164cm tall but very much when you are 22cm.

There are ways you construct doll clothing that you’d never use in human clothing .

I have a friend I’ve been sending some of the latest tiny outfit photos to. He replies with emojis indicating that this is something the would NOT want to try and make. He’s a third generation bespoke suit tailor in Ginza.

I decided to use these books the way many of them are intended…working my way through the order of projects as written so that I’m doing the easier skill-building ones first with step by step photos before I tackle the harder ones. It would also allow me to blog.

And…this was the wrong book to start that idea with. Everything is lined. That means that every garment has any raw seams hidden between the outer fabric and lining fabric. This increases the bulk but makes for a more stable end product.

That wouldn’t be bad in and of itself but these are FRILLY FROCKS with lots of gathers.
Patterns have SO much gathering of fabric going on that sometimes I found that I’d make it once and then alter the pattern slightly to reduce bulk (but still finishing  seams properly)

Like this insane all-in-one bloomer set. I’m using scraps so I am making some outfits I’m not sure I’ll ever have a use for. This is my second, altered, version.

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This is the book version:

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Below you can see how much bulk is created when you have lined and gathered bloomers attached to heavily gathered skirt (with two layers of fabric) and an extra gathered waist ruffle) …and that’s before you sandwich it between the layers of the top.

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going in order  as written I have completed the following, including the above.

From left to right:

Undarted lined dress. Two tops (one with making ribbon bows for extra frill). Dress lined dress with darts. Ribbon bustle and hip ruffles for apron or hip bustles.

And it inspired me to take a break from this SO RUFFLED book, as it’s not my general aesthetic, and work my way through a simpler Dolly Dolly book I’ve used before but haven’t done everything from (show below)

This is going much smoother with less swearing. I’ll be writing it about it, and showing more of what gems these books are, next time.

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craft, Doll, monster high, Uncategorized

Sakura

Welcome to my continued adventures in assuming I’d already shared something because I finished it a while ago but when I looked I’d never posted a final product.

Back story short:

I got a Monster High doll at Dollyterria in Ikebukuro. This was before my haul of MH dolls. This is the doll and I wrote about being inspired by cherry blossom season here. Click through if you want more info on how this started.

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I then started using Apoxie Sculpt…and started sculpting all the things.

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And then I never posted about it again, even though I finished it in May of 2019.

I painted and painted.

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The doll’s previous hair looked sad when contrasted with her new body so, inspired by Dollightful’s Sakura Pink creation, I rerooted with fake hair and so much pink 100¥ shop yarn!

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FACE! Now, a half a year later, there are things I’d change. I may go back in some time to add a pure black to the eyes…but I’m trying to present without insulting myself so that’s all I’ll say.

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Before and After

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My issue with the eyes wasn’t until I took these photos and few days ago, outside a small bar near me that has a lot of flowers….an old man came out, saw me, giggled, and said “nice photos?’

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I’m sure I’ll find more items I have spaced on presenting.

I…I make a lot of stuff…not just dolls.

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Bi-Little Pony, for Caty.

I wasn’t a pony girl.

My childhood room was not edged with realistic horse replicas nor did My Little Pony (the first 80’s round which was square aimed at girls my age) ping my interest. Nor did the new wave of My Little Pony Friendship is Magic capture my attention.

I’ve seen an episode, while obsesively brushing out tangled pony hair, at my friend’s house in Madison…because her son is a fan…but I didn’t go back to Japan and watch any more.

Then, at the end of 2018 a My Little Pony Equestria Girl Rainbow Dash 11 inch fashion doll came into my home via a box of random gifts.

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Do I understand what is going on with this doll? No, I don’t.

I don’t know how the horses became horse/girls on two legs other than the fact that fashion dolls sell. Or maybe horse dolls got tired of carrying passengers (because that’s NOT the kinda pony My Little are) and decided “I AM THE ONE WHO RIDES. ”

Then came muse Caty. Last seen as a Byul.

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Her instagram looks are a place I cruise when I’m looking for doll inspiration because she’s talented and ‘effing adorbs. She usually does a series of LGBTQ inspired looks for gay pride and that’s when I knew.

Bi-Little Pony.

But I’m getting ahead of myself. First there was the “reroot or fix up” question.  Rainbow Dash has rainbow hair. Pride. Keep. Boil perm.

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Boil perms are still hit or miss for me. Each one gets a little better…I hope.

Inspiration.

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At this point I took Bi-Little Pony off my media posts. It’s common for my work in progress to vanish at times…but this time it wasn’t just my inability to focus.

Caty’s family suffered a terrible loss.

I wanted this doll to go to Caty as a small “Hey, people are thinking about you and you are loved” but I didn’t want her to have any hint of what I might be sending from Japan.

I knit a dress using crochet thread, size 0 needles and this on-line pattern. You drop a stitch on these and it’s nearly impossible to recover. Kinda hellish. That’s why I ended with a fluffy yarn skirt with leftover yarn from…oh, I never updated that project here so I guess I’ll do that next.

Then I finished the face, embellished the dress, found a tiny jacket in my stash and painted her boots.

And now Bi-Little Pony lives with Bi-MUA-Caty in America.

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Acrylic Yarn: Squeeky self-care.

I’ve written before about how handy-work can be quite an effective form of meditation for those of us with minds that sometimes fight meditation.

The repetition of movement, the precision needed, and the concentration used helps clear my head. It’s not that I don’t think while doing this, I do, but it’s a quieter thinking. I don’t have the time to chase strong emotions or berate myself. With my hands busy a strong emotion may easily be noted and pass and I won’t be tempted to chase down its cause right then and there.

Let us now sing praise for 100¥ acrylic yarn…here for me at my time of need.

Without too many details, it’s been an unwelcome revisiting  of the end of May 2019.

Vague story vague: within days two distinct circles of friends in different locations were revealed to contain two different types of horrible predators…and a lot of nasty information poured out of each. This week one of those two cases came to a settlement that involves only probation, no jail time, for a person who has torn through lives.

Cue the unwelcome few days of time travel none of us asked for.

And this brings me to the acrylic yarn. It’s not ALL the self-care but it is some of it.

I’m not the first woman in my family to find comfort in acrylic yarn.

My paternal Grandma Leah used to use the cheapest, squeekiest, most eye-hurtingest colors of acrylic yarn to knit and crochet hand scrubbers, sturdy foot “booties” and hard to explain dolls and toys…for cash or family.

Preferably craft-stall cash.

She lived with my father and step-family for years. We, family, all had these booties in inexplicable colors. Well, semi-explicable; they were the cheapest yarns for the best return on her investment of supplies. I also used to have a yellow and blue clown down with two distinctly different length legs where she’d just run out of yarn and ended.

Grandma Leah had a huge stash of different sources of patterns but it seems like the booties came from a hand-written letter from a neighbor. I have some of the letter but no more of the booties.

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Dear Leah;

Once before I had to show someone how to make the slippers. It takes a long time to do it. I can’t read a pattern. I’ve never had one for the slipper. Thelma showed me how. I only know one way to show you.

I start with each step. I just hope your friend can follow the directions. They go fast. 1 3 1/2 oz of yarn will make a pair. They sell real fast at x-mas time. You can make a pair in an evening and more if you’re fast. They get $5.00$ a pair….

What I do to cheap acrylic yarn is a transformation in the opposite direction. Knitting builds up form. I take acrylic yarn and attack until it is broken down into thin synthetic fibers. This is time consuming.

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What am I looking at?

  • Upper left hand corner: Acrylic yarn.
  • Upper right hand corner: Acrylic yarn that has been tethered to something and then brushed with a wire pet brush until it gives up hope. After this step comes using a flat-iron for hair set at 140.
  • Lower left hand corner: the yarn fuzz after ironing, being cut free, lined up, and attached at one end with glue to create hair wefts.
  • Lower right hand corner: building a wig from this insanity.

What doll is that and when did you make it?

Oh, yeah, I’ve been away from the blog. This is where I show you some of what I’ve been working on.

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Googling tells me this Monster High doll is Twyla. She is a freshman student at Monster High and is a boogeyman, daughter of the Boogey Man, she lives in the Boogey Mansion. This specific Twyla is the “Coffin Bean” coffee shop release.

But to me, she’s one of the many used dolls I bought off a girl in America using a charity shop go-between.

Let’s check out what I did with her.

She’s loosely inspired by the aesthetics of Disney’s Haunted mansion.

I used the Rococo Hime Lolita dress pattern to create this outfit. If you’re thinking of using easy fraying fabric like I did….don’t. headaches.

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I sanded off the “spirit swirls” or whatnot on her legs and used chalk pastels and acrylic to create a bat motif.

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I created this wig with exhausted acrylic fiber, a syrofoam egg, a homemade wigcap, and a handful of things from the 100¥ shop.

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Then it was time to repaint her face.

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I repainted her shoes and added accents. Again, solid nod to 100¥ shops.

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And finally, some earrings:

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As for me, tonight I’ll be brushing, brushing, and brushing yarn and slowly creating wefts…allowing the feelings to come and they must…and focusing on what is really a low-stakes unessential and beautifully absurd addition to the strange world of things I make.

Stefon.

 

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Because…this world has EVERYTHING.

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costuming, craft, Doll, monster high, sewing, Uncategorized

Little Dead Riding Wolf

One of my finished projects this summer was Little Dead Riding Wolf.

You may have noticed that I never show concept sketches. It’s not how I work. It’s never been. With dolls as with creating dance costumes I start with a very hazy concept, maybe gather some inspiration, and let the tools take me where they will.

I’m not proud of this. It’s just what I’m comfortable with.

In art school I’d just tackle large sheets of paper and see where the drawings took me. I think in my fine arts classes, because I drew (worked in dry and thus relatively fast materials) and i wasn’t majoring in illustration with need to think of a client, it was encouraged.

When I started dancing I was more comfortable soloing improvisationally than I was confident in making choreography…but in grappling with how to learn AND create choreography I’ve become a better dancer overall.  In this new-to-me art I think some pre-planing and concept sketches would save time AND help me be more productive overall. I just need to figure out how to start that journey.

I’m getting that out here so I can think on it.

Little Dead Riding Wolf started out hazy.

The concept was part of the original doll’s name…I had one from the 20 doll haul.

img_0301And I knew that I wanted to do 1). more experimentation with Goth/Fantasy concepts on darker skinned dolls 2). unraveled yarn to create kinkier textured hair.

I bought red and brown acrylic yarn at the 100¥ shop. I unraveled it and re-rooted her head.

I covered her hair to spray her with a few priming layers of Mr. Superclear and got to coloring with chalk pastels, water color pencils and acrylics.

Next came how to redress her. I decided that Little Dead Wolf would want to warn possible grandchildren she met in the forest NOT to mess with her. I set to making a skull from Apoxie Sculpt. Nothing says “nope” like the skull of your vanquished enemies.

I drafted the cape myself. The red/black velvet is left over from a dance costume I made for myself.

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The making of that and the lace beading can be found on my costume page.

For the rest of the outfit I turned to Requiem Art Designs. Etsy: DGRequiem is THE source to turn to when you wanna make doll outfits but don’t want to make your own pattern AND are willing to pay another artist. I went with her Rococo Lolita pattern.

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And I took a trip to Nippori (our fabric street) for remnant scraps.

Let me tell you, it took me two tries to get the brocade to behave. I have a less than perfect version I’ll find a use for.

Then I made a short skirt using her pattern AND a longer skirt by free-styling it.

The awesome belt came off one of the other MH dolls from my haul.
I layered those two skirts. I’m a huge fan of the idea that you just layer fabrics until they look expensive and fabulous.

For a final touch I painted those horrible purple boots to match her new outfit.

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I’ll need to make her a basket soon but for now I love her.

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Power Puffing

Where have I been? I’ve been doing my summer thing. I’ve made a lot of stuff, done some social things, and visited America for 12 WHOLE DAYS.

And now, with my day job lurking beyond this weekend it’s time to start catching all of you up on my projects.

First up we have a work in progress: Powerpuff Girls.

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I have a ton of Disney Animators dolls so Ariel is becoming Blossom, Snow is Buttercup and Aurora will be Bubbles.

First I had to clean them and do many days outside with 10% Benxol Peroxide acne cream to remove stains.

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Which brings us to hair.

I’m ok with Blossom’s hair being more red than orange but neither Ariel nor Snow have bangs.

Which meant removing heads in order to properly root some bangs in.

 

I had to do the same thing with Snow. I also figured there are two waysI could interpret Buttercup’s hair. It can be slick with the up wave at the ends or I could make it more of a messy curly bob as her out of place hairs and morning illustrations suggest. I’ll be going team curly. Why not? More variation.

 

Aurora/Bubbles. Her hair just didn’t have the right part to do ponytails AT ALL AT ALL. I’ll work at making her a wig because I am never going to reroot a whole ‘nother of these heads. I’m sewing my first large wig cap for her, as I couldn’t find a light colored 13inch doll wig cap available online in Japan and I have stretchy nude fabric in my stash.

 

I’ll be buying a used wig of Mercari here later to remove blond wefts from, cheaper than buying them new.

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And I’ve started on Blossom’s face.

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I have already drafted a pattern that’ll work for the dresses, I did that back in the early stages when I thought I’d just learn a bit more about hand sewing by using a book about sewing for dolls….ya know…that thing that lead to all these DOLLS and Repaints.

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And that, my dears, is only the start of what I’ve been up to.

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Melody, complete!

I HAVE FINISHED IT!
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Last I updated about Melody, as far as my searches show me, I’d given up on dying her synthetic hair. I’d pried her head off and started rooting.

MY GOD, that was arduous. The heads of Disney Animators are about the size of softballs.

Towards the end I realized that the the neck hole was so small, and the area I’d need to secure inside with glue was so large…it was near impossible to do cleanly so I…CUT INTO HER HEAD.

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Desperate times.

I finished rerooting the head and the skull flap and secured the hair with Aleene’s Clear Gel Tacky Glue. Then I used Liquid Fusion and swearing to fit the head back into place.

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I later, after building up enough layed of liquid fusion, painted the seams black. And took photos.

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Then onto painting!

I didn’t take in progress photos. This is the final result all at once, with a little outfit I sewed her because I don’t like the idea of sending a naked doll to a friend.

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This week I’ll find a box and send her off to Gina and her daughter. And never ever reroot a Disney Animator Doll again.

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